The RMS and perceived loudness of the songs are really high, but still, the "knock" factor is there. To me and a lot of other hip hop producers, I believe, those mixes are good one to chase. Dre's "Xxplosive", 50 Cent's "In Da Club", Fort Minor's "Remember The Name". I believe this is one of the hardest challenges of a hip hop producer: to make the kick drum loud, and the song itself loud, while avoiding having your kick drum squashed by the mastering compressor. Everybody wants them, but very few producers/engineers are able to achieve them. Dre's "2001", one of the most common subjects upcoming hip hop producers discuss is those loud kick drums.
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